Past Exhibitions
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Debra pearlman

Unaccompanied

October 13, 2011 to November 30, 2011
“Multi-media artist Debra Pearlman’s new large-scale “glitter” works in Unaccompanied… combine painting, silkscreened photographic images, and crushed glass on canvas, infusing the surfaces with shifting shapes suggesting both a startling imminence and ghostly vanishing depending on one’s position when viewing them.
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Toma Sergiu

The Light At the Edge of the Realm

September 07, 2011 to October 12, 2011
Toma’s paintings are marked by the timeless fervency of their visual description. The presumedly “casual” scenes seem interlocked with partially remembered dreams, where the beholder’s viewpoint becomes an integral part of the painting. An atmosphere of nostalgia and mystery is inherent in Toma’s images; familiar objects carry symbolic meanings and nonhuman forms are often used as objects of displacement, to bring up issues that cannot be expressed forthrightly.
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Ioana Joa

Current Past

July 21, 2011 to September 03, 2011
Joa’s new work invites objection to the idea that what is present slips further and further into the past to the point of “non being”. The viewer is imaginatively drawn along, to linger on in silent contemplation of its’ own “disappearance”, and almost to hear the time passing. The works unveil something that borders on the invisibility, a present of things past that exists, in some sort, in the soul.
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Ingrid Blixt and Tamara Kostianovski

Stains

May 12, 2011 to June 13, 2011
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Lucy Kim and Janos Stone

Ubiquitous

April 12, 2011 to May 10, 2011
Kim and Stone invite the viewer to critically examine their respective artistic journey of redefining two widespread materials, foil and sheet rock. Kim and Stone’s odyssey from Ordinary to Extraordinary reflects not only unique sensibilities, but also a keen understanding of the material and its array of possibilities.
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Naomi Safran-Hon

Absent Present

February 24, 2011 to April 09, 2011
Safran-Hon’s work is anchored in an undeniable reality, yet, by extracting the essence from the soul of the materials she uses, she unceasingly builds, thus transforms preexisting contexts. The spirit is inherent in Safran-Hon’s intellectual construction and, as the journey described in sefer hechaloth, the inner odyssey within oneself (Anselm Kiefer) permeates her entire body of work.