Uzbek Kindergarten , 2023
Oil, cellulose pigment, cellulose pulp, gall ink, beechwood tar, oil pastel, paper and fabric cutouts, 3D printed fragments, clay, and organza adhered to plexiglass on leather, wrapped over a short sleeve button down shirt.
27 x 27 in
War Worn, 2023
Oil, cellulose pigment, gall ink, beechwood tar, oil pastel, fabric thread, clay dipped in beeswax, drawings marinated in clove oil dipped in beeswax, meteorite fragment, paper cut outs, and 3D printed gesture on zip up bomber jacket.
28 x 25
My Neighbor in a Summer Dress with an Axe, 2023
Oil, cellulose pigment, shellac ink, gall ink, meteorite fragment, 3D printed gesture, a marinated drawing cooked in beeswax, and paper cut outs on short sleeve button down shirt with an exposed wood of the stretcher.
30 x 27 in
Smoking Dried Grapevines: Nighttime in Tashkent, 2023
Oil, cellulose pigment, shellac ink, beechwood tar, found metal, paper cut outs, clove oil drawing dipped in beeswax on partially unbuttoned polo, wrapped over wood covered in beeswax.
35 x 35 in.
Writing the Beet: 3 Going Through 9 To Get to 27, 2023
Oil, cellulose pigment, beechwood tar, sugarcane husks, inserted leather, copper wire, and an extruder on stretched basketball shorts with inverted pocket.
37 x 27 in
Dressing Cave’s Cavity, 2023
Marinated drawing and paper cut outs, sculpted clay dipped in PVA, gel medium, remnants, stamps, moss, pieces of sugar cane husk, and selected threads and ribbons on denim jacket.
26 x 24 in
Zona: Stalker’s Chroma, 2023
Oil, cellulose pigment, beechwood tar, sugarcane husks, inserted leather, copper wire, and an extruder on stretched basketball shorts with inverted pocket.
20 x 20 in.
Cavern’s Sweat, 2023
Oil, beechwood tar, sugarcane husks, painted fabric cut outs, leather, sculpted clay pieces, and moss on stretched long sleeve denim shirt.
21 x 20
Putting Nadia to Bed, 2023
Oil, cellulose pigment, sugar cane husk, paper and fabric cutouts, clay, and paper dipped in beeswax on stretched T-shirt and pants.
42 x 36 in
Immigration Noire: Emotional Architecture
Oil, cellulose pigment, moss, balsam sap, paper cut outs, and a printed still image from my film “Knoxvillainy” on canvas.
49.5 x 50 in
Catacomb Through Odessa, 2023
Oil, cellulose pigment, fabric, and paper cut outs dipped in beeswax on canvas.
70 x 54 in
Architectural Empathy, 2023
Oil, cellulose pigment, fabric, paper cut outs dipped in beeswax, and silicone fragment on canvas.
36 x 36 in
Borscht Body Intelligence, 2023
Oil, cellulose pigment, fabric cut outs, clay, and 3D printed fragment on canvas.
36 x 38 in
Sensory WaterMeloncholy, 2023
Oil, cellulose pigment, porcelain slip, a piece of sugar cane husk, fabric, and paper cut outs dipped in beeswax on canvas.
70 x 40 in
Siberian Forest Spirit Guide, 2022
Oil, cellulose pigment, beechwood tar, thread, fragments of sculpture, drawn cut outs, 3D printed gesture, moss, oxidized cherry juice, cherry pit, and cherry stem on canvas
54 x 68 in
Skeletal Isle: Borscht Structure, 2022
Oil, cellulose pigment, beechwood tar, gall ink, alpaca thread, fragments of sculpture, drawn cut outs, clove oil, 3D printed gesture, moss, oxidized cherry juice, cherry pit, and cherry stem, on canvas.
52 x 54 in
A Courtyard in Yunusabad: Avoiding Nadia, 2022
Oil, cellulose pigment, beechwood tar, thread, fragments of sculpture, drawn cut outs dipped beeswax, 3D printed gesture, moss, oxidized cherry juice, and cherry skin on canvas.
72 x 84 in